Roger Mais Brother Man, to a large extent fits into Aristotles conjecture of fortuity as outlined in the Poetics. However, the first thing that may be questioned, when trying to fit Brother Man into Aristotles description, is the heighten that Aristotle suggests that the medium of tragedy is drama, not narrative; as, tragedy shows kind of than tells. How then can one apply this description to the snotty-nosed Brother Man? Â Â Â Â Â Â Â Â Roger Mais cleverly structured his novel regularize to a dramatic piece. Brother Man is divided into five chapters - reminiscent of the five acts of a play. Additionally, the short episodes within individually chapter also suggest the scenes of a play. The novel whitethorn be further likened to a Classical Drama, as it utilizes a Chorus. Initially, the tattle of people in the path may seem an interlude as opposed to a character itself (as Aristotle specifies) - fully unified and contributing to the unity of the plot. Howev er, upon closer inspection, the chorus does more than and get in each chapter. The chorus of people in the lane interprets challenge, voices responses of the sort (representing the people of the lane), establishes the required mood and prepares the audience/ proof referee for what unquestionablely happens. In this aspect, Mais chorus of people in the lane does borrow from Aristotles theory of a Tragedy.
        Yet, the issue still moldiness be communicate that Brother Man possesses (even though it may describe action) narrative. Mais may thus be transforming Aristotles notion of a tragedy by cre ating a stage in the headlands of his reade! rs, as opposed to the action taking place in an actual theatre. In doing this, Mais grants his reader the role of both director and audience. The readers theatre, (or the mind of the reader) is now presented with a piece that indeed... If you want to get a full essay, exhibition it on our website:
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