'How does the presentation of Iago in Act1 sn1 lines 41-66 and Act1 sn3 lines 365-385 prepare the audience for the tragedy of Othello?\r'

'The twain transitions in question, the first a tongue Iago makes at the start of the evasive stageion, and the second, a abruptly soliloquy at the stamp out of do unmatchable, introduce the audience to the persona of Iago and the feelings he has towards Othello which get outing drive the action of the play and shape the calamity. In the play, we foregather Othello, a heroic temper, fall from g hie. Shakespe atomic number 18s successful enforce of peripeteia is accentuated by Othellos strive finished adversity and what he has managed to achieve, especially in Venice which was the closely unchewable society in the world for a clip.\r\nIt was un- examined of for a â€Å" moor” to find oneself reached such a significant position considering the racism at this heyday in history. Othello is to a fault a feature that the audience can empathize with easily. This emphasizes the tragedy of Othello receivable to the fact that he doesnt merit to have been pla gued by trickery resulting in him murdering Desdemona and because killing himself. He has been but manipulated by Iago. He is the artist lav the fall of Othello. He realizes that Othello can be â€Å"tenderly led by the perfume as asses are” and is clever and merciless enough to take proceeds of him and travail his flaw, jealousy.\r\nIagos exploitatory nature is communicated to the audience when he is talking to Roderigo active how he dislikes the â€Å" truss” and says, â€Å"I follow him to serve my wind upon him. ” This education reveals Iagos feelings towards Othello, as well as an insight into the way he thinks and his priorities in bread and butter. This suggests that Iagos motive(prenominal) is just to climb to the legislate of society without regard or revere for any ane elses emotions. An example of this is when Iago is telling Roderigo how he feels somewhat certain types of employees, the types that â€Å"line their coats”.\r\nHe states that these bulk have â€Å"soul” and believes â€Å"such a wizard I do feign myself. ” This shows the audience Iagos selfish and power empty-bellied temperament. It is interesting how Shakespeare has chosen to put a full stop subsequentlywards the intelligence â€Å"myself”. He has chosen not to social occasion enjambment, which he uses abundantly throughout the text. When sense of hearing to someone act out this linguistic communication, in that respect would be a pause after this word that would let the audience have time to think virtually the statement just voiced. Iagos longing for status forms to gay the theme of differentiate.\r\nIago feels an extremely unassailable desire to climb to the highest class and profess himself a success. This could be seen as his primary motive for money and power and ultimately status. However, he withal wishes to break the bond mingled with Othello and Desdemona. As well as show his graphic symbol to the audience, these two quotations foreshadow and original the audience for a tragic ending, one in which Iago will turn upon Othello, a noble and trusting caliber. Iagos motives are oft unclear and we end up speculating that he is jealous, racist or insecure.\r\nThe presentation of Iago in the penultimate time of the first savoir-faire, invokes images of distract, destruction, injustice and possibly some of the aforementioned insecurity. He voices a sinister yet or so vulnerable statement to Roderigo when he says â€Å"I will wear my content upon my subdivision/ For daws to peck at. ” This can be understand in many ways. One of which is that Iago feels that he has done so much defame that he is leaving his feelings open for the wad around him to â€Å"peck at” with the â€Å"daws” intend the mickle.\r\nThis would suggest that Iago does have a watch because he feels punished for how he treats his companions and the fire of lies he weaves aro und them. Moreover, leaving ones heart upon ones branch could be seen as an act to open their heart to the world, leaving one vulnerable and defenceless. This metaphorical image of a bird pecking at his heart paints an enduringly caliginous and depressing picture for the audience. Conversely, we could see this quote as Iago feeling he should be punished. We could also see it as Iago universe self destructive and nigh psychopathic.\r\nThe mental synthesis chosen here by Shaksespeare suggests that this statement should be read as a sinister one as opposed to a vulnerable one. The author has chosen to continue this metre onto the abutting line. His use of emjambement here suggests that the audience should hear the statement all as one. on that headland is no pause between ” sleeve” and â€Å"for daws….. â€Å". In addition, the fact that Iago doesnt disturbance that he is leaving his feelings so vulnerable makes us think that he has no care for his emoti ons and anyone elses whatsoever.\r\nIt is also ironic because he is verbal expression he will reveal his feelings, his emotions and his truthful self, but succeeds in manipulating all of the characters due to his immense power to lie, deceive and just an impregnable fai??ade. Shakespeare alludes to themes such as race and class in the last time of the first speech that also show Iagos deceitful character. Iago ends his speech to Roderigo by verbalise â€Å"I am not what I am. ” We have already learned that he is a misleading and confusing character however this statement means that he could have been putting up a fai??ade this whole time and no(prenominal) of what he said could be square(a).\r\nAs and audience, we feel that Shakespeare has employed this prominent twist to keep us guessing. Moreover, this is interesting because we would commonly expect Iago to reveal this about his character in a soliloquy rather than in conversation with another character. Shakespe are has most definitely chosen this short punchy sentence to end his speech for a reason. This is the briny thought that the audience are left with. This is a key function in helping the audience to suspend their disbelief. notice the play you would be confused nerve-wracking to understand his character and then seconds by and by the dialogue resumes between Iago and Roderigo.\r\nThere is also another interesting interpratation of this statement that relates to class and race. At the time, white community considered themselves the higher(prenominal) power compared to black people. White people considered themselves clean and proper and considered black people dirty and improper. However, this is ironic because Othello, the black character or â€Å"Moor” is the noble, kind and strong character. And Iago is portrayed as being fiendish, deceptive and crazy. We could see this as an attempt by Shakespeare to flak catcher the ideals and beliefs of the time by move them ove r and challenging them.\r\nThe end of this passage gives the audience the idea that good will not prevail over evil resulting in a devastating end to the play. The second passage, Iagos soliloquy, starts with him telling the audience that whenever he can, he will take advantage of any â€Å"fool” for his profit. This again communicates his exploitative nature and alludes to the idea that eventually Othello will become his â€Å"purse”. He then goes on to say â€Å"I dislike the Moor,”. Once again Shakespeare has used structure to emphasize a certain point. This being that Iago despises Othello.\r\nHe does this by starting the sentence with â€Å"I” and has placed a comma after ” moor” which sections off this proclamation causing a pause after hearing which leaves time for this statement to be absorbed by the audience. Iago is portrayed as being sexist in the beginning of his soliloquy when he says that by Othello dormancy with his wife he has â€Å"done his stake”. Referring to his wife as â€Å"his office” at one time would be a potentially life threatening comment, however at the time it was thought that men were above women and a womens place was at home, cooking, cleaning and dimension together the home-life.\r\nHe is referring to Emilia as if he can do with her as he wants. This suggests she is his sex object and reaffirms him as the duplicitous man that he is. Iagos character is portrayed as evil and designing in the last sentence of his soliloquy. later Iago has been plotting he has conjured up a final cause to frame Othello by exploiting his trusting nature. This is communicated when he says â€Å"Hell and night/ Must bring this monstrous birth to the worlds light. ” This conjures up images of death, pain and evil beasts. This is a very powerful statement and has the most significance in terms of alluding to the tragic ending of Othello.\r\nIt is also interesting because Shakespeare has chosen to write this in verse. This adds a poetic and almost delightful aura to what Iago is saying. It is intriguing yet fearful at the same time. He has also chosen to use figurative speech that makes the audience think more about what is being said. This is typical of Shakespeares fondness for dramatic irony. He may have been alluding to the general themes of the play here in this one line. Specifically, the contrasting notions of heaven vs hell, light vs dark and good vs evil. In conclusion, we can see that both speeches play key roles in preparing the audience for the tragedy of Othello.\r\nThe first speech reveals much about Iagos character including his manipulative and exploitative nature. It is revealed to the audience that Iago is complex and sound but that these traits are ominous ones. Iago is portrayed in such a ostracise way that it leaves the audience thinking that there could only be a negative ending to the play. The assumption is that evil will prevail. However at this point in the play we have not met Othello. We are not sure whether what Imago is saying about Othello is true which means that the audience are ill mastermindd at this point for the tragedy of Othello.\r\nIn Iagos soliloquy he begins to engineer his plan to defeat Othello. At this point we have met Othello and we are advised of his trusting nature that becomes his downfall at the end of the play. Shakespeare uses a combination of morphological techniques, language and themes to help the audience prepare for the tragedy that follows. I believe that Shakespeare was attempting an attack on the ideals and beliefs in society at the time and was trying to tell the worlds that fairytales do not usually come true and that humans will ultimately be the makers of their own downfall.\r\n'