The Theme of Paralysis in The Love Song of J. Alfred Prufrock :: Love Song J. Alfred Prufrock Essays

The Theme of Paralysis in The rage melodic line of J. Alfred Prufrock I grow old ... I grow old ... I shall wear the bottoms of my trousers rolled. What does that mean, Mr. Marlowe? Not a bloody thing. It just sounds good. He smiled. That is from the Love nisus of J. Alfred Prufrock. Heres another one. In the room the women come and go/Talking of Michael Angelo. Does that suggest anything to you, sir? Yeah- it suggests to me that the goose didnt know very much about women. My sentiments exactly, sir. Nonetheless I wonder T. S. Eliot very much. Did you say nonetheless ? (Chandler 356-7) The Love Song of J. Alfred Prufrock is one of the most powerful poems of the twentieth century (Williams 49). It is certainly not a love birdcall like any that had been written before. The second and third lines shock the commentator because of their unusual imagery that would be out of place in a traditional love poem, describing the setting sunlit sky as face like a patient etherised upo n a table (Eliot 3). This etherised outside creation is the key to understanding all of Prufrocks views. He is triskaidekaphobic of the increasingly industrialized and impersonal city surrounding him, and he is unsure of what to do and afraid to commit to any particular choice of action (Mays 112). Paralysis is the master(prenominal) alkali of The Love Song of J. Alfred Prufrock. Eliot composed The Love Song of J. Alfred Prufrock during a period beginning in 1909, and ending with the culmination of his first published book, Prufrock and Other Observations, which was published in 1917 (Scofield 46). The changes he made over some(prenominal) years may account for the fragmentation of the poem, but the main piece of paralysis was ever present, and would continue to be a major theme of Eliots for much of his career (Scofield 46). Originally, the poem was titled Prufrock Among The Women, which was later adapted and utilise in Sweeny Among The Nightingales, and of course parodi ed E. B. Brownings Bianca Among the Nightingales (Loucks 1). Eliot chose to use the more ironic title, of The Love Song of J. Alfred Prufrock instead, echoing the form of his name that Eliot himself was using at the time, that of T. Stearns Eliot (Southam 1). In 1909, Eliot accomplished his undergraduate studies at Harvard, and wrote what would be relatively unchanged in its final edition, the beginning of Prufrock, lines 1-14.