The Connection of Mortality with One’s Love of Life in T.S. Eliots The Wasteland and Yulisa Amadu Maddys No Past No Present No Future :: Eliot Wasteland Maddy No Past Present Essays

The Connection of Mortality with Ones Love of Life in T.S. Eliots The Wasteland and Yulisa Amadu Maddys No Past No Present No FutureThrough many writers works the coefficient of correlation of mortality and love of vivification is strongly enforced. This connection is one that is open to illustrate and easy to grasp because it is experienced by humans daily. For instance, when a loved one passes a elbow room, purge though thither is time for mourning, there is as well an immediate appreciation for ones life merely because they are living. In turn, the correspondence of mortality and a stronger love for life is also evident in every day life when things stupefy hard and then one is confronted by some one else whom has an even bigger problem, then making the original problem seem minute. This is seen as making the blue look worse so then the bad looks good and the good looks even better. The connection of mortality and ones love for life is seen in both T.S. Eliots The Wastelan d and Yulisa Amadu Maddys No Past No Present No Future. Eliots oral communication I will show you fear in a smattering of disperse imitate much of his attitude during the poem The Waste Land. This cite can be interpreted in different ways. One way is that the dust Eliot mentions is a symbol for humans starting as dust and returning to dust in death. Therefore, the quote would be expressing the feeling of fearing death. By exemplifying this fear, Eliot then enables his audience to take it further to appreciating life because the save other choice is death. In Eliots The Wasteland, It seems as if the more his humans is falling apart, the more he wants to break it down and find what really matters or what he really needs to continue living and to truly appreciate life. As he examines his surroundings, he realizes so much of it is in ruins, and that alone makes him feel as though his own life is slipping away, as if he does not even control his own fate. Eliot also realizes how upside down and backward his world is now functioning. Everything that was once slump is now wrong, and everything that once seemed moral is not moral any more. one time this is brought to his attention, Eliot decides the only way to overcome this is to do away with the bad and have only the good, then reforming the old into a new overall prescribed and secure place of true life.